A "Dance to the Music of Time" by Nicolas Poussin
by
Richard Beresford
A study of Poussin's "A Dance to the Music of Time", examining its meaning, the evolution of its composition, its visual sources and its critical fortune. The text argues that the painting is more representative of the philosophy of Poussin's patron, Giulio Rospigliosi, than the artist himself.
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Complete description
This analysis of "A Dance to the Music of Time" contains information on the meaning of the painting, the evolution of its composition, its visual sources and its critical content. There is also an examination of the nature of Giulio Rospigliosi's patronage and Poussin's importance in the eyes of British art collectors. The painting has often been taken as a statement of Poussin's own philosophy, but this text argues that his contribution was rather that of a painter, giving pictorial expression to the poetic and philosophical ideas of his patron.
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General info
Publisher & Imprint:
Trustees of the Wallace Collection
City:
London
Pages:
80
More info:
height 280 mm
width 240 mm
weight 454 gr
thickness 9 mm
Subject Indexing & Classification
Dewey:(DC20) 759.4
Library of Congress Subject: ND553.P8A6 Painting, French
Departments:
Painting & paintings; History of art & design styles: c 1400 to c 1600;
Record updated at:
16 May, 2013
time:
19:03
Summary
A "Dance to the Music of Time" by Nicolas Poussin
Poussin before 1640; the patron - Giulio Rospigliosi; subject and meaning; evolution of the composition; visual sources; aftermath; Poussin, Lord Hertford and British collectors.
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